Sylvester McCoy was born Percy James Patrick Kent-Smith on 20 August 1943, the only child of Molly Sheridan and Percy James Kent-Smith, a couple living in Dunoon, Scotland. His mother was Irish. Percy James Kent-Smith was killed in the Second World War a couple of months before his son was born, and he was brought up by his mother, his grandmother (Mary Sheridan), and his aunts. He attended St Muns Primary School in Dunoon. The headmistress, Rosie O'Grady, was keen that her young charges obtain decent jobs upon leaving the school and so organized regular talks from people in all manner of professions. McCoy expressed an interest in every job, and as a result eventually found himself given an afternoon off school to go to see a local priest about entering the priesthood. He left school, joined Blairs College, a Catholic seminary in Aberdeen, and between the ages of twelve and sixteen trained to be a priest. At Blairs College, he realized that there was more to life than could be found in Dunoon and discovered classical music and history, which fascinated him. He eventually decided to become a monk and applied to join a Dominican order, but his application was rejected as he was too young. He returned to school and soon discovered the delights of the opposite sex in the form of fellow students and determined he didn't want to be a priest or a monk after all. On finishing his education he took a holiday down to London, from which he never returned. McCoy approached a youth employment center looking for a job and impressed by the fact that he had attended a grammar school, they instantly found him a job in the City working for an insurance company. He trained in this job and stayed there until he was 27 before deciding that it wasn't really for him. With the help of a cook at London's Roundhouse Theatre, McCoy gained a job there selling tickets and keeping the books in the box office. McCoy joined the Ken Campbell Roadshow. Along with Bob Hoskins, Jane Wood, and Dave Hill, he would start performing a range of plays with the umbrella theme of "modern myths". McCoy found himself in a double-act with Hoskins. After Hoskins left, and being booked at a circus, director Ken Campbell improvised a circus-based act about a fictitious stuntman called Sylvester McCoy and thought it would be amusing if the program stated that this character was played by "Sylvester McCoy". While at the Royal Court Theatre, one of the critics missed the joke and assumed that Sylvester McCoy was a real person. McCoy liked the irony of this and adopted the name of his stage identity. During one of their UK engagements, the Roadshow team was invited up by Joan Littlewood, who was directing a production of "The Hostage", before the performance of her play. This led McCoy to bona fide theater, and he was subsequently invited to appear in numerous plays and musicals. McCoy was starring at the National Theatre in "The Pied Piper", a play written especially for him, when he learned that the BBC was looking for a new lead actor to replace Colin Baker, who had been unceremoniously dumped from Doctor Who (1963) on the orders of Michael Grade. McCoy won the role as the Seventh Doctor despite reservations from Grade and Head of Drama Jonathan Powell, who were by this time monitoring producer John Nathan-Turner's decision-making very closely. McCoy's first season took the slightly pantomimic style of Baker's final season, Trial of a Time Lord, even further and received a very dubious reception from the press and fans. Nathan-Turner put McCoy in a pullover covered in question marks, which McCoy later admitted he didn't like. By the time of McCoy's second season, the new script editor, Andrew Cartmel, was trying to make the series darker and more complex. In the third season, his costume was changed from a fawn jacket and paisley scarf to a dark brown jacket and an altogether more muted and subdued image, but the pullover remained. Despite forming a close bond with co-star Sophie Aldred and the general standard of the stories rising again towards the end, the series was obviously starved of funds and ratings were fairly poor throughout the McCoy era, with the series being trounced by ITV's Coronation Street (1960). The BBC's opinion of Doctor Who (1963) was that it was an embarrassment. In 1989, the new series head, Peter Cregeen, pulled the plug. After Doctor Who (1963) McCoy worked extensively in theater and on television. In theater he appeared in "The Government Inspector" twice in tours during 1993 and 1994, and in between these he starred as the Narrator, Thomas Marvel, in the stage version of H.G. Wells's "The Invisible Man". In 1995, he starred in Zorro: The Musical". On television, his credits include Frank Stubbs Promotes (1993) and Rab C. Nesbitt (1988). He also created the character of Crud in the cult television series Ghoul Lashed for Sky TV. In 1996, he was contracted to reprise his role as the Doctor, handing over to an eighth incarnation of the Time Lord in the earthly form of his friend Paul McGann. Also in 1996, McCoy devised and presented Reeltime Pictures' I Was a 'Doctor Who' Monster (1996), a special video tribute to the men and women who had played the monsters of Doctor Who (1963).
Sylvester Morand is known for Pride & Prejudice (2005), The League of Extraordinary Gentlemen (2003) and Agora (2009). He has been married to Susan Engel since 1968. They have one child.
Sylvester Powell is an American actor born on the West Side of Chicago. He is the oldest of his four siblings (Mya, Solomon, Chayil, and Michael), and is the son of Roshawn Reedy, an entrepreneur, and music producer Sylvester Earl Powell Sr. He began acting when he was a child, after his mother and stepfather John Riddles signed him up for acting and modeling classes. While he was also spending his time playing sports (gymnastics, basketball, baseball), Sylvester continued acting throughout his youth and decided to further pursue a career in the entertainment arts after high school. At the age of 21, he moved out to Los Angeles with his father and stepmother Rosita Powell. Powell stars as the varsity baseball player Jessie "JR" Raymond in the hit series All American: Homecoming (2022) (2022). He made his Television debut on the CBS drama CSI: NY (2004) (2012). Later, he was a lead in 9 episodes of the Facebook series Five Points (2018) (2019), executive produced by Kerry Washington, as the character Tre. Soon after, Powell appeared in the critically acclaimed television series Criminal Minds (2005) (2020) as the character Marko Salazar. Sylvester made his first feature film appearance playing the lead character Andre in Mykel Shannon Jenkins' short film Kilo Valley (2014) (2014). Powell then had the supporting role of Aaron in Jenkins' next film The Gods (2017) (2017), a modern-day Romeo and Juliet story. Shortly after, Powell played the lead role in Jenkins' urban thriller drama Two Wolves (2018) (2018) in the role of Dreds.
Sylvester Pribil is an actor, known for Reversal (2020), What Brings You In? (2019) and $tripped (2015).
Sylvester Stallone is a athletically built, dark-haired American actor/screenwriter/director/producer, the movie fans worldwide have been flocking to see Stallone's films for over 40 years, making "Sly" one of Hollywood's biggest-ever box office draws. Sylvester Stallone was born on July 6, 1946, in New York's gritty Hell's Kitchen, to Jackie Stallone (née Labofish), an astrologer, and Frank Stallone, a beautician and hairdresser. His father was an Italian immigrant, and his mother's heritage is half French (from Brittany) and half German. The young Stallone attended the American College of Switzerland and the University of Miami, eventually obtaining a B.A. degree. Initially, he struggled in small parts in films such as the soft-core The Party at Kitty and Stud's (1970), the thriller Klute (1971) and the comedy Bananas (1971). He got a crucial career break alongside fellow young actor Henry Winkler, sharing lead billing in the effectively written teen gang film The Lords of Flatbush (1974). Further film and television roles followed, most of them in uninspiring productions except for the opportunity to play a megalomaniac, bloodthirsty race driver named "Machine Gun Joe Viterbo" in the Roger Corman-produced Death Race 2000 (1975). However, Stallone was also keen to be recognized as a screenwriter, not just an actor, and, inspired by the 1975 Muhammad Ali-Chuck Wepner fight in Cleveland, Stallone wrote a film script about a nobody fighter given the "million to one opportunity" to challenge for the heavyweight title. Rocky (1976) became the stuff of cinematic legends, scoring ten Academy Award nominations, winning the Best Picture Award of 1976 and triggering one of the most financially successful movie series in history! Whilst full credit is wholly deserved by Stallone, he was duly supported by tremendous acting from fellow cast members Talia Shire, Burgess Meredith and Burt Young, and director John G. Avildsen gave the film an emotive, earthy appeal from start to finish. Stallone had truly arrived on his terms, and offers poured in from various studios eager to secure Hollywood's hottest new star. Stallone followed Rocky (1976) with F.I.S.T (1978), loosely based on the life of Teamsters boss "Jimmy Hoffa", and Paradise Alley (1978) before pulling on the boxing gloves again to resurrect Rocky Balboa in the sequel Rocky II (1979). The second outing for the "Italian Stallion" wasn't as powerful or successful as the first "Rocky", however, it still produced strong box office. Subsequent films Nighthawks (1981) and Victory (1981) failed to ignite with audiences, so Stallone was once again lured back to familiar territory with Rocky III (1982) and a fearsome opponent in "Clubber Lang" played by muscular ex-bodyguard Mr. T. The third "Rocky" installment far outperformed the first sequel in box office takings, but Stallone retired his prizefighter for a couple of years as another series was about to commence for the busy actor. The character of Green Beret "John Rambo" was the creation of Canadian-born writer David Morrell, and his novel was adapted to the screen with Stallone in the lead role in First Blood (1982), also starring Richard Crenna and Brian Dennehy. The movie was a surprise hit that polarized audiences because of its commentary about the Vietnam war, which was still relatively fresh in the American public's psyche. Political viewpoints aside, the film was a worldwide smash, and a sequel soon followed with Rambo: First Blood Part II (1985), which drew even stronger criticism from several quarters owing to the film's plotline about American MIAs allegedly being held in Vietnam. But they say there is no such thing as bad publicity, and "John Rambo's" second adventure was a major money spinner for Stallone and cemented him as one of the top male stars of the 1980s. Riding a wave of amazing popularity, Stallone called on old sparring partner Rocky Balboa to climb back into the ring to defend American pride against a Soviet threat in the form of a towering Russian boxer named "Ivan Drago" played by curt Dolph Lundgren in Rocky IV (1985). The fourth outing was somewhat controversial with "Rocky" fans, as violence levels seemed excessive compared to previous "Rocky" films, especially with the savage beating suffered by Apollo Creed, played by Carl Weathers, at the hands of the unstoppable "Siberian Express". Stallone continued forward with a slew of macho character-themed films that met with a mixed reception from his fans. Cobra (1986) was a clumsy mess, Over the Top (1987) was equally mediocre, Rambo III (1988) saw Rambo take on the Russians in Afghanistan, and cop buddy film Tango & Cash (1989) just did not quite hit the mark, although it did feature a top-notch cast and there was chemistry between Stallone and co-star Kurt Russell. Philadelphia's favorite mythical boxer moved out of the shadows for his fifth screen outing in Rocky V (1990) tackling Tommy "Machine" Gunn played by real-life heavyweight fighter Tommy Morrison, the great-nephew of screen legend John Wayne. Sly quickly followed with the lukewarm comedy Oscar (1991), the painfully unfunny Stop! Or My Mom Will Shoot (1992), the futuristic action film Demolition Man (1993), and the comic book-inspired Judge Dredd (1995). Interestingly, Stallone then took a departure from the gung-ho steely characters he had been portraying to stack on a few extra pounds and tackle a more dramatically challenging role in the intriguing Cop Land (1997), also starring Robert De Niro and Ray Liotta. It isn't a classic of the genre, but Cop Land (1997) certainly surprised many critics with Stallone's understated performance. Stallone then lent his vocal talents to the animated adventure story Antz (1998), reprised the role made famous by Michael Caine in a terrible remake of Get Carter (2000), climbed back into a race car for Driven (2001), and guest-starred as the "Toymaker" in the third chapter of the immensely popular "Spy Kids" film series, Spy Kids 3: Game Over (2003). Showing that age had not wearied his two most popular series, Stallone has most recently brought back never-say-die boxer Rocky Balboa to star in, well, what else but Rocky Balboa (2006), and Vietnam veteran Rambo (2008) will reappear after a 20-year hiatus to once again right wrongs in the jungles of Thailand. Love him or loathe him, Sylvester Stallone has built an enviable and highly respected career in Hollywood, plus, he has considerably influenced modern popular culture through several of his iconic film characters.
Sylvester Wiere was born in Prague, in 1910, into a family having a long tradition in show business. He was the youngest of three brothers. In 1922, at the age of twelve, he and his brothers, Herbert Wiere and Harry Wiere, formed The Wiere Brothers comedy act and began performing in theatres and on stages. They came to America for the first time in 1935 and remained in 1937. The Wiere Bros. were an exceptionally talented comedy team, having the ability to play numerous instruments, sing, dance and perform acrobatics, while being extremely funny in the process. Their act was a headliner on the theatre and night club circuit and, in films, they are very funny, but unfortunately were not used very frequently. Their first film appearance was in Vogues of 1938 (1937). Two of their film appearances in 1943, Swing Shift Maisie (1943) and Hands Across the Border (1944), both claim to "introduce the Wiere Brothers" to American audiences. Their dancing and music routine is probably best captured on film in Road to Rio (1947), starring Bob Hope and Bing Crosby. Their last film appearance was in Double Trouble (1967), starring Elvis Presley. In 1960, CBS commissioned thirteen episodes of a television series starring the Wiere Brothers. The series, Oh! Those Bells (1962), was initially directed by former "Three Stooges" director Jules White. The show aired in the Summer of 1962 and was not renewed after its first season. Some fans regard Sylvester as the funniest of the three brothers. Each had their own unique comedy personality, but Sylvester often did the most outrageous acrobatics of the three. On an appearance on Laugh-In (1967), the three brothers walked across the stage with Herbert in front, Harry in the middle and Sylvester last. As the brothers walked by, Herbert flipped his derby hat in the air over Harry and it landed on Sylvester. Another routine required Sylvester to balance a bass fiddle on his chin. The Wiere Brothers continued to appear in night clubs and regularly on television throughout the fifties and sixties and until 1970. Sylvester Wiere suffered a heart attack and died unexpectedly in July of 1970. After Sylvester's death, Harry and Herbert went into semi-retirement, but continued to work occasionally in television and on stage. In January of 1992, Harry Wiere died. Herbert Wiere retired in 1996 and died three years later.
Le Touzel was born in London to a prominent family from Jersey, Channel Islands. She showed an interest in acting at an early age, enrolling at a Stage School. Subsequent television roles followed, including as Fanny Price in a 1983 adaptation of Mansfield Park (1983), though, in cult television terms, this was eclipsed by a commercial, still long remembered, for Heineken lager where, in a parody of My Fair Lady (1964) she portrayed an upper-class girl being tutored for a cockney role by Bryan Pringle, success only coming when she drank a can of Heineken (which "refreshes the parts other lagers cannot not reach" and enabled her to proclaim that 'the wa'er in Majjawca don't taste like wot i' ough'a'). Married to actor Owen Teale since 2001, they live, with their two children, in Telegraph Hill, London. In 2008 she appeared on the West End stage with Kenneth Branagh in his generally well received revival of the play 'Ivanov'.
Sylvestre Amoussou is known for Africa paradis (2006), Un pas en avant - Les dessous de la corruption (2011) and L'orage africain: un continent sous influence (2017).
Sylvia Barron is an actress, known for A Holiday Chance (2021), Insecure (2016) and Titanic 666 (2022).
Sylvia Batey Alcalá is a writer and director, known for Fame Dogs (2016), Ordinary Joe (2021) and Legacies (2018).