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Ettore Manni

Dark, rugged and exceedingly good-looking, Italian actor Ettore Manni was a familiar presence in Neopolitan romancers and costumers. He also gave added stature to a number of peplum films and spaghetti westerns of the 1960s. On screen from 1952, he appeared in over 100 films in his close to three-decade career. Popular in his native country, he played opposite Italy's most scintillating leading ladies in his early movies -- Sophia Loren, Eleonora Rossi Drago and Gianna Maria Canale, to name a few, often playing the continental lover. Manni was born on May 6, 1927, in Rome, Italy, and came to films in 1952 with La tratta delle bianche (1952) [Frustrations] starring Rossi-Drago in which he was third billed. In 1952 and 1953 he was handed prime leads and supports in the Carlo Ponti/Dino De Laurentiis productions of I tre corsari (1952) [The Three Pirates], Fratelli d'Italia (1952), La lupa (1953) and La nave delle donne maledette (1953) the last two co-starring Kerima and May Britt. Ponti also paired Manni opposite his sultry-eyed wife Sophia Loren in Due notti con Cleopatra (1954) playing Marc Antony to Loren's Cleopatra. Other strong roles followed for Manni. He played the brother of Anthony Quinn's Attila (1954), and was reunited with Rossi-Drago in both Donne sole (1956) and Le amiche (1955), as well as with both Kerima and May Britt in Cavalleria rusticana (1953). The quality of Manni's films declined into the late 50s and 60s but he found himself quite busy in such lowbudget fare as La rivolta dei gladiatori (1958), Il pirata dello sparviero nero (1958) and Diez fusiles esperan (1959). He also appeared opposite lovely Linda Cristal's Cleopatra in Le legioni di Cleopatra (1959) and the equally fetching Debra Paget as Il sepolcro dei re (1960). Sword-and-sandal spectacles became the rage during this time and Manni took full advantage with supporting roles in Ercole alla conquista di Atlantide (1961) starring Reg Park as the muscular titan, Golia e il cavaliere mascherato (1963), Ursus, il terrore dei kirghisi (1964) and I giganti di Roma (1964) with Richard Harrison as the muscled hero. Manni also jumped on the "spaghetti western" bandwagon years later with appearances in the films Johnny Oro (1966), Per pochi dollari ancora (1966), Un uomo, un cavallo, una pistola (1967), Starblack (1966), Ed ora... raccomanda l'anima a Dio! (1968), Sono Sartana, il vostro becchino (1969) and Inginocchiati straniero... I cadaveri non fanno ombra! (1970). Outside of Italy, Manni, who grew stockier in later years, could be found playing priests and officer parts. He appeared as Jason in a couple of the popular French "Angelique" series with Indomptable Angélique (1967) and Angélique et le sultan (1968). Manni also lent support to a number of imported American/British male leads past their prime who found headlining work in Italy. These included The Valiant (1962) starring John Mills, I normanni (1962) starring Cameron Mitchell, Oro per i Cesari (1963) starring Jeffrey Hunter; Roma contro Roma (1964) starring John Drew Barrymore, La battaglia di El Alamein (1969) with Frederick Stafford, and in Incontro d'amore (1970) with John Steiner. A supreme showcase role came his way during this period when he appeared opposite Jeanne Moreau in Mademoiselle (1966). In the early 1970s, Manni met gorgeous Austrian-born actress Krista Nell, who had leads and second leads in French and Italian films. Although they did not marry, they became longtime companions. They showed up together in the films Arrivano Django e Sartana... è la fine (1970) Les belles au bois dormantes (1970) and Karzan, il favoloso uomo della jungla (1972). Sadly, Nell was diagnosed with leukemia and lost her battle against the disease in Rome in 1975. She was only 28. The grief-stricken Manni suffered from chronic depression following her death but continued to work in Italy, appearing in Pronto ad uccidere (1976), Oh, Serafina! (1976), La bidonata (1977), Sella d'argento (1978), Il malato immaginario (1979), La verdad sobre el caso Savolta (1980), along with many TV projects. Much now has been said over the controversy of the actor's untimely death on July 27, 1979 in Rome. It was originally believed that the 52-year-old Manni, an avid gun collector, accidentally shot himself in the groin while cleaning or handling a gun. It is now believed he committed suicide. His final film, Federico Fellini's La città delle donne (1980) in which he supported Marcello Mastroianni, was released posthumously.

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