Ashley Kirk is an aspiring actress who grew up in Grosse Pointe, Michigan. Determined to make a career for herself in the modeling field she moved to Miami. She quickly succeeded in that field. Restless and determined to take it to the next level, she moved out to LA to pursue acting. One of her first gigs as an actress will be a leading role in Drive-In Massacre (2012) as Sally.
Ashley Kukay is an actor, known for The Stylist (2020).
Ashley Kumar is an actor, known for EastEnders (1985), Little Crackers (2010) and M.I.High (2007).
Ashley L. Gibson is known for Down Low (2023), Uncoupled (2022) and Saturday Night Live (1975).
Ashley LaRae is an actress and producer, known for Persecuted (2014), Yearbook (2018) and Finding Home.
Ashley Laessig is known for The Things We Cannot Change (2022), Creature of Love (2019) and What's Bothering You? (2019).
Ashley Lam is known for Qi ren yue dui (2020) and A Slice of Time (2019).
Ashley Lambert is known for Divergent (2014), The Bad Batch (2016) and The 5th Wave (2016).
Ashley Lauren Nedd was born in NYC where she attended NYU's Tisch School of the Arts. Shortly after earning her BFA in Drama with a minor in Producing, she moved to Los Angeles and began working both in front of and behind the camera. Ashley's recent on-screen credits include Lauren in "Save the Wedding" on Hallmark and Jamie in "Animal Kingdom", as well as various national commercials. She is most passionate about creating stories and content that are inclusive of the voices of women and people of color.
California native Ashley Laurence is an artist who has never been contained by any one medium or genre: As an actress, she has worked in both comedy and drama on screens both large and small while, as a painter, the startling power of her hallucinatory canvases is winning her a growing reputation as an uncompromising visionary. Amongst all her successes though, it is undoubtedly her role as Kirsty Cotton in Hellraiser and Hellbound: Hellraiser II -- a film franchise created by horror legend Clive Barker -- that has secured her place in genre history as an enduring feminist icon of transgressive cinema. - Peter Atkins